On stage nothing is what it seems. Roles, masks, costumes and sets can enlarge, sharpen or precisely hide identities. The Theatre Collection of the Allard Pierson contains a treasure of material, from costumes and photographs to audio and set designs.
In De kunst van het transformeren three different subjects are central: cross-dressing, the Slingelandt theatre and the life of revue artist Louisette. These histories also inspire contemporary makers. For example, photographer Diana Blok captures actors on the photographic plate, dressed in their dream role of the other gender. Artist Arne Hendriks investigates the deeper meaning behind the set changes of the Slingelandt theatre. And creative producer Danny van Zuijlen is writing a book about the transformation of revue artist Louisette.
The exhibition connects historical theatre practices with contemporary research into visibility and (self-)expression. You are invited to look along as a researcher. Which transformations do you see? How do you want to come across on stage? What do you show and what remains hidden?