Hydro Electric Domestic transposes Phil Coy’s site-sensitive deep listening sound installation Sixty Beats Per Minute to the physical spaces of Flat Time House, itself a conceptual articulation of John Latham’s time-based theories. Transforming Flat Time House into a sonic time-machine and live film score, the domestic interior is prepared to perform a live pulse mixed with details of Peckham’s ambient soundscape.
This new site-sensitive sound installation celebrates the launch of Phil Coy’s debut album 60bpm 33bpm released on Flaming Pines.
Phil Coy’s approach is sensitive to materials, site and context. Formerly trained in sculpture, works employ a hybrid collage of concepts and processes. Particularly they have interrogated human exploitation of the landscape through the intersection of digital and analogue technologies.