Toi, moi, Tituba...

Starting from the figure of Tituba, the Black woman accused of witchcraft in the Salem trials and the protagonist of Maryse Condé's novel, Dorothée Munyaneza builds a solo that moves through memory, body and history. Dance, voice and music become tools to restore presence to those who have been erased, reduced to silence or excluded from official accounts, exploring the traces left by slavery and colonialism. The body thus becomes a living archive, where past and present meet in a gesture of memory, repair and resistance.