The project presents the results of an archival investigation into documents, texts and drawings, both published and unpublished, relating to the work of Antonio Sant'Elia, placing them in relation to the architecture of the 1930s and to the Abstractionist painting of the period.
The study offers new interpretative contributions on little-explored aspects of his visionary thought, highlighting its influence on the Lariano rationalists and on artists of Italian Abstractionism.
Edited by Alessandra Coppa, Lorella Giudici and Rosanna Ruscio (Accademia di Belle Arti di Brera) Veronica Vittani and Francesca Testoni (Pinacoteca civica di Como)