The exhibition ‚Erdanziehung‘ brings together two artistic positions that explore gravity as both a poetic and a physical force. Lukas Kindermann works at the intersection of art, technology and nature, using 3D duplicates, machine drawings, video and installative arrangements to set seemingly stable orders floating. In vitrines, the artist combines archival materials and artworks and creates an unusual narrative.
Judith Neunhäuserer uncovers scientific approaches and mythical elements of various historical cosmologies and works across media with installation, video, drawing and text. Starting from the history of the Earth, expeditions and geological traces, she asks about the vulnerability of the planet and the temporal depth of the ground we stand on.
In ‚Erdanziehung‘, Kindermann's speculative pictorial spaces and Neunhäuserer's investigative material studies meet as a dialogical experimental setup: between falling and hovering, weight and emptiness, measurement and fiction, a space emerges in which gravity is renegotiated as an existential field of experience.