On stage, four harps and their digital double projected on screen form the setting for the action, guided by a voice-over. Moving from one instrument to the next, the musician engages in dialogue with her algorithmic avatar, which gradually falls out of sync in a play of shattered mirrors. Rock timbres, polyrhythms, contemporary minimalism, projected images and narration blend together in a poetic and rebellious cantata.
with: Aurélie Saraf, harp and performance.