Dalila Belaza knows how to weave landscapes made of voices and bodies. For Un peu pour mon cœur… songs occupy a central place, carried by a sensitive memory linked to the country of origin of the choreographer's family, Algeria. With this creation, she deepens a line of research in which dance, voice and music become one. To achieve this, she brings together several performers around a principle of choralité: creating a shared frequency capable of connecting beings beyond individualities.
At Dalila Belaza's, we dwell in a subtle land. Nothing is there to illustrate anything. One must understand that it is more a matter of sensations than of grand effects. The songs are the source and the extension of the dance; they do not come to illustrate or narrate it. Breath, vibration and resonance are at the heart of her finely chiselled writing.