However, one of these most intriguing works, highlighted by Régis Durand, is titled A Friday Person (une personne du vendredi).
Can this shift of date help us understand the artist's gesture – or rather his own intimate trace – as a photographer and alchemist painter with a Surrealist anchoring? Marek Piasecki was one of the members of the Second Cracow Group, at the invitation of Tadeusz Kantor; he exhibited his miniatures with the Phases group (Galerie Krzysztofory, Cracow, 1959), but he truly felt at home in his hermetic studio with windows sealed in black, working at night, where he created his strange abstract photograms, dolls and miniatures, like so many photographic recordings of his own moods.
On occasion, he also photographed for the press.
Do these emotional movements, going from inside to outside and vice versa, reveal his work, full of constellations, within a singular exhibition?
This question, among others, will be at the heart of the exhibition of works selected from the artist's output during the period 1957-1967 (before his definitive departure for Sweden), at the Galerie Le Minotaure in Paris.