Where his cinema demands control and narrative, his photographs welcome the fragment, chance and silence. Over the course of his travels and wanderings, Park Chan-wook captures "moments of inattention of the real", attentive to textures, shadows and visual coincidences, clues to an invisible drama.
His images oscillate between contemplative minimalism and disquieting strangeness. Colour, often muted, sometimes erupting in bursts, guides the gaze towards an anomaly in the landscape. It is a photography of waiting and of the off-screen. Each image becomes an open enigma, the beginning or the end of a story that the Galerie VU' invites the viewer to invent.