His research focuses on a redefinition of sculpture, understood not as the organization of static volumes, but as the combination of expanding forms.
The media he uses consist of everyday objects from the most diverse contexts and made with different materials: wood, steel, glass, scaffolding tubes that interact with one another to assert the primacy of matter and form. The objects, placed side by side in contrast, involve the viewer both physically and mentally, and the installations he creates convey an ironic or paradoxical disorientation, inviting the public to stop and reflect, relating the solidity of structures to the insecurity of existence. The paradox between stability-strength and imbalance-precariousness reflects the human condition, connecting to the internal tensions of the structures. Termini preferably creates site-specific works, with the intent of inventing a new alphabet of space, giving life and voice to unusual perspectives and to large unconventional places.
He previously investigates the space in which his works will be created, absorbs it and lives it before carrying out the installation.